Jewellery is created with patience and passion. It should be a joy to look at and easy to wear and my hope is that it brings the same joy to the wearer as it has to me in its making.

I come to jewellery and metalsmithing from a background of teaching science and mathematics. I have always had an interest in gemstones, pursuing a basic gemology course on my way to completing an Honours degree in Geology, from the University of
Queensland.

My metalwork and jewellery training was at the Albuquerque School of Jewellers and the Gold-Silversmithing Institute in Albuquerque. I continue to learn by experience, via workshops and through colleagues.

My style is quite varied, since my preferred works consist almost entirely of "one off" pieces ~ either custom made to reflect a client's individualism or as exhibition pieces. My own preference is for clean-cut lines and geometric shapes, frequently asymmetric, but often influenced by ancient designs (perhaps reflecting the Native American influence of my training). I use many combinations of materials and textures and frequently incorporate some form of colour, such as precious and semi-precious stones, shell, suede, patinas and enamelled silver. I use local materials and gemstones where possible, sometimes cutting and polishing them myself but forever I'm on the lookout for uncommon materials that will enhance my pieces.

In recent years, the colourful medium of enamel, the potential and the challenges it presents, have been strong driving forces in my work and is now one of my favorite (if still untamed) techniques. Vibrant, subtle or dramatic effects are equally tempting, but the most exciting aspect of enamelling is the boundless range of ways to incorporate these glass gems into jewellery and decorative objects.